Alexander Kluge Movies

The story of a revolution in a Caribbean insular state.

Directed by Alexander Kluge

At the time of the conversation Heiner Müller was the president of the Academy of Arts - East. At the beginning he describes his daily routine...

Anselm Kiefer is one of the most important painters of the present, Alexander Kluge's television interviews are legendary. Over several years, the...

A short film by Alexander Kluge.

This portrait of Heiner Müller on the occasion of his 60th birthday is devoted for the most part to having Müller recount events and...

A reference to the song of the same name, which carries the motif of "La Paloma" (the dove) and can be traced back to an episode that occurred in 492...

Strolling through France (Roanne, Nice and Carcassonne) with some excursions abroad (Munich, Montreal, New York).

The Indomitable Leni Peickert is a loose, half-hour sequel to Alexander Kluge's second feature film, Artists in the Big Top: Perplexed. This shorter...

In An Opera of the World, Malian scholar and filmmaker Manthia Diawara reflects upon the refugee crisis and the relationship between Europe and...

Short by Alexander Kluge.

Alexander Kluge reflects on Eadweard Muybridge's work and the first modern Olympics.

Homage to Anselm Kiefer.

Homage to Anselm Kiefer.

A commentary on Aby Warburg’s Bilderatlas Mnemosyne, Panel B, Picture 9.

The Cold War is peaking again in divided Germany in the early 1980s. How to deal with the upcoming nuclear annihilation shows this Alexander Kluge...

Alexander Kluge's tribute to Soviet master Dziga Vertov, displaying a collage of stills from Vertov's work on the screen of a white round TV set to...

Heiner Müller defines Stoicism as an attempt to deal with anarchy. For him, Erich Honecker is an example for "forced stoicism". Müller...

In late antiquity, the religions were not yet rigidly opposed to each other, so that Christian apocrypha, the Babylonian Talmund and the Koran reveal...

On Love’s Struggle through the Millennia. A chat between Alexander Kluge and Miriam Hansen through the prism of Griffith's INTOLERANCE.